While Constant Bitrate is a surefire setting, to make sure the file sizes and quality will remain as advertised, it may cause issues when the footage being captured could do without the extra compression, ensuring that all details of a busy scene are clear. AFAIK, interlaced footage is stored as progressive frames with different temporal information for every line. 7K (Apple ProRes 422 LT). Use an intermediate codec like ProRes, DNxHD or Cineform. YouTube favours 4K. Macroblocking is due to low bitrate, so in principle you should have less of that using Prores, which has a very high bitrate. In general, the lower the bit rate, the smaller the file size, and, potentially, the lower the. LT is a terrible recording format. Note that 8 bits (Mb) = 1 Byte (MB). ProRes 422 Proxy. 264 into these decks. However you can squeeze the crap out of an H. I have said it before, and I will say it again. Constant Quality. For more information about Apple ProRes, including the data rates for each codec, refer to the Apple ProRes White Paper. " In order to compare the members of the. *Selectable bitrate will be changed depends on the setting. The ProRes family can be broken down into 6 codecs listed here from the highest to lowest quality: ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, ProRes 422 LT, and ProRes 422 Proxy. Best used with Apple machines and apps. 976p, 24. The higher the better, up to a max limit of maybe 100Mbit/s. 97; Fast encoding and decoding (both at full size and half size) ProRes 4444 and ProRes 4444 XQ Like standard Apple ProRes 4444, this codec supports up to 12 bits per image channel and up to 16 bits for the alpha channel. Apple may provide or recommend responses as a possible solution based on the information provided; every potential issue may involve several factors not detailed in the conversations captured in an electronic. You won't want less than ProRes 422 HQ for final results anyway. Maximum Bitrate: 16. I have said it before, and I will say it again. ProRes, as a editing codec, uses different pixel formats. I would recommend only using ProRes 422 or ProRes 422 HQ if you’re starting with a 100Mbps h. Use. Graded Log ProRes clip in a sequence with Maximum Bit Depth on. So in those cases the “good” option in Convert To Edit Friendly would be preferable because while the bitrate will be very high, it will still be playable even at 4K 60fps on most computers. a 4k file is going to be bigger than a 1080 file with the same bitrate and duration. This isn’t all that surprising as ProRes HQ ups the bitrate again to around 700 Mbps. Target Bitrate: 14. 8K Apple ProRes footage to an SSD or Atomos device connected via HDMI or USB, or 5. This means, every frame consumes equal amounts of bytes no matter the content. the other way to reduce file size is to reduce the pixel dimensions. 265, or even moreso a lossless codec like cineform or prores) then using x265 will give a visually superior output than x264 will for the same. 4-axis vertical/horizontal tilting monitor and improved vertical user interface support vertical shooting. Unfortunately the bitrate is limited to 1. The slight issue here, as we already know,. In Adobe Premiere Elements 2023, when I use "Add Media" to add any iPhone Prores video with a H. Hence, one minute of filming will cost you about 5. Tap and enable the toggle for Apple ProRes at the bottom of your screen. All of these variants are in 10-bit and will offer 4:2:2 chroma subsampling with all-intra encoding. DNxHR and ProRes are comparable in quality at the same bitrate. Recording at 1080/25p, 1 minute of media will take 1. Incidentally, I did my own subjective tests looking at footage I shot comparing ProRes HQ and ProRes LT at 1080p. Scroll down and select "Camera. ProRes Proxy at 720p is 18-45Mbps based on 24-60fps. . 94 frames per second. avs -r 23. 709). If you need some more video editing tools, head straight to our frames to timecode calculator or our streaming bitrate calculator if you want to live stream your own content! FAQ. In-camera de-mosaic: faster playback and rendering One of the main strengths of the Blackmagic RAW is the ability to process all the de-mosaic (the process which turns the sensor data into image) calculations inside the camera instead of using the computer’s CPU, which leads to. When talking about compression, it’s vital to understand the role of bitrate. 853 x 480 for 16:9 content. 264, you need a much higher bitrate. 4K 120p, 6. alpha test. The monitor looks very similar to the original, including the brightness and color. There are many implementations of XAVC, I've included popular modern variations here. X-H2S digital camera supports internal recording of 4:2:2, 10-bit Apple ProRes HQ/ ProRes 422/ ProRes LT, and ProRes 422 Proxy at resolutions of up to 6. This opens the Preset Settings window. Hi, the bit rate of DNxHR at UHD 4k60p with the SQ option is too high of a bit rate to fit 10 hours of recording on it (7 hours max), on my Ninja V, and I see that ProRes 422 LT is a slightly lower bit rate and will record for 10 hours on my 4TB SSD. . *Apple ProRes codec can be only recorded to CFexpress Type B card *Bitrate for Apple ProRes codec is not selectable. Bitrate in Prores . 8:1 gives you a constant bitrate of 121 MB per second – about 7 GB of footage per minute. Then, select Create Encoding Preset. This parameter determines the quality of the resulting prores movie - both the resulting size and bitrate. Als Codec-Technologie mit variabler Bitrate (VBR) verwendet Apple ProRes weniger Bits auf einzelnen Bildern, bei denen eine Codierung mit einer höheren Datenrate nicht von Vorteil wäre. At 8000 ISO and below, the BMPCC 6Ks low light samples look better than the Sony A7S IIIs, although you can go to a higher ISO with it. 4K, on the other hand, requires close to 226GB of storage—almost 4GB per minute. The 2nd being a much simpler. り高くなっています。Apple ProRes 422 のターゲットデータレートは、1920x1080、29. 265” codec under the “Mp4” format on the “Deliver” page if you have time constraints. The bitrate you should use to record at OBS for high quality will depend on factors such as your internet connection, hardware capabilities, and desired output quality. ProRes 422 Bitrate matches more closely official Apple ProRes bitrate than before, and are now re importable back into AE on OSX. DNxHR 444, ProRes 4444 and ProRes 4444 QC are the only codecs with embedded alpha channels. The following chart is from the ProRes White Paper that. If we wish select ProRes 422, LT profile we should use '-profile:v 1' (because ProRes 422, LT profile has the number 1) How Keep BitRate. ProRes 422 LT Thanks to a filmmaking app, we now know the bitrate when shooting in maximum video quality in the iPhone 13 Pro. For high quality local recording one should use the best quality hardware encoder available (AV1 > HEVC > H. In my experiments, I could get about 6 streams of ProRes on my drive, while I could run 20 streams of MPEG2 intraframe at a. See moreLike standard Apple ProRes 4444, this codec supports up to 12 bits per image channel and up to 16 bits for the alpha channel. By far the most common proxy codecs are DNxHD/DNxHR and ProRes. So for instance, if we encode an action sequence, ProRes can use a higher data rate which will ensure that image loss is negated and the detail of the video remains. Apple's white paper says it should be 1061Mbps. TIFF. Internally, the LUMIX GH6 offers up to 5. In this instance the file sizes would be approx. Is such a high bitrate really necessary that generates such a large file?On paper, the Fujifilm X-H2S is a beast. 7GB in. Apple ProRes 422 LT. Apple ProRes 4444 XQ — около 500 Мбит/с для источников с дискретизацией 4:4:4 с разрешением 1920 × 1080 и частотой кадров 29,97 кадр/с. Apple ProRes ProRes codecs take full advantage of multicore processing and feature fast, reduced-resolution. It can shoot ProRes 422 Lt, 422, and 422 HQ internally. *Recording time can become short depending on the temperature and/or shooting conditions: Film simulation modeFile Size: Length (HH:MM:SS:FF): Length in Minutes: Length in Frames: 35mm 4P (Feet+Frames): 35mm 3P (Feet+Frames): 35mm 2P (Feet+Frames): 16mm (Feet+Frames):On average, one hour of HD footage (ProRes 422) requires approximately 51GB of storage; or roughly 850MB per minute. In the Video tab, scroll down to Bitrate Settings, and change Target Bitrate (Mbps) to 3. I use a Nikon Z6, special HDMI settings, and an Atomos Ninja Star to achieve this. *Recording time can become short depending on the temperature and/or shooting conditions: Film simulation mode File Size: Length (HH:MM:SS:FF): Length in Minutes: Length in Frames: 35mm 4P (Feet+Frames): 35mm 3P (Feet+Frames): 35mm 2P (Feet+Frames): 16mm (Feet+Frames): On average, one hour of HD footage (ProRes 422) requires approximately 51GB of storage; or roughly 850MB per minute. DNxHR 444 and ProRes 4444 XQ are the only codecs that fully preserve the details needed in HDR- (high-dynamic. 8:1. 264 files. 7K 6:5 anamorphic) Blackmagic RAW 3:1 -. That brings us to the iPhone 13 Pro and its 10-bit 4:2:2 ProRes HQ codec. Go with ProRes, easier playback for the computer. It’s called ProRes 4444 XQ and it’s a mother-scratching beast. in Software, Announcements. 265 uses coding tree units or CTUs. That'll take 12-36x longer than H. There are 2 versions of ProRes RAW, ProRes RAW and ProRes RAW HQ. cancel. 01-03-2023 12:43 PM - last edited 01-03-2023 12:54 PM. This means that if more data is needed, ProRes RAW will adapt to include as. You can also use Proxy or Low-Bitrate HD formats Cineform, Prores and DNxHD as well. If you are not happy with the default, you can set them to the ones you prefer. 88 MB/s Apple ProRes 422 - 78. For instance, if there are many movements in a video, the codec assigns the maximum bitrate. The headline specifications were that it could record 8K 60p RAW internally, 8K up to 30p internally, 4K UHD ProRes 422HQ up to 60p, and it didn’t have any overheating issues. Interestingly, ProRes 24 fps footage will actually downsample from the higher resolutions if you choose a lower resolution. A testament to how good the ProRes codecs are is that they are still. Indeed, Sony mentions that X-OCN files are computer-friendly, allowing for fast workflows even with modest post-production. On my BMPCC-4K, 4K/60/13-bit is recorded in something like 65MB/s BRAW (500Mbps+Audio), the same format in ProRes 422 HQ would be 210MB, and ProRes RAW is only a little smaller, so probably still 3x bigger than BRAW. All Apple ProRes 422 codecs support up to 10-bit image sources, though the best 10-bit quality is obtained with the higher-bit-rate family members—Apple ProRes 422 and Apple ProRes 422 HQ. 27 Jun, 2014. Supported File Formats; exFAT. The iPhone 13 Pro and 13 Pro Max are the first phones to support the Apple ProRes video codec. 500GB @ 5K60 ProRes RAW: ~25 minutes. Scan Type. Unfortunately the bitrate is limited to 1. H. Look up the bitrate of the Ninja's 12 bit prores, then research the sustained write speed of the WD blue. 1 and higher SUP 1. You must keep the total of both average and maximum audio and video bit rates under 10. When in ProRes, formats below 4K will automatically be recorded as 2K or HD. 264, MPEG/4, HEVC or any other highly-compressed format, edit and export a master file using ProRes 422. Number of simultaneous 4K streams ProRes RAW also supports accelerated reduced-resolution decoding Apple ProRes. Log ProRes clip in a sequence with Maximum Bit Depth off. Key features 8K, 5K, 4K, UHD, 2K, HD (up to 1920×1080), & SD resolutions4:2:2 chroma subsamplingup to 12-bit sample depth I frame-only encodingVariable bitrate (VBR) encodingNormal 147 Mbit/s and High-Quality 220 Mbit/s and ProRes (LT) 100 Mbit/s as well as ProRes Proxy for HD 45 Mbit/s for HD. As an example though, for ProRes 422 HQ at 4K 30p the target data rate is 943 Mb/s or 7. The workaround is of course to export in Prores HQ (as near as dammit lossless) then use Handbrake to reencode at CRF/bitrate whatever ^^ This. ProRes RAW is here, a new high-efficiency codec that enables instant playback and editing without the need for any conversion. ProRes RAW, co-developed by Apple and Atomos, aims to fix both the data and processing problems normally encountered with raw video. 25 MB/s . Apple ® ProRes. Format. You could experiment with h. If the exported file is going to end up being transcoded to H. FP let’s you take ProRes 4k60 fps at the expense of colorspace and your phone heating up 😅. 97fps 기준 약 147Mbps입니다. It will put the bitrate at 20 (which you can't change) but the file will be a lot smaller. Not ideal, I know, but I don’t have infinite space on my home server and I trust Apple Compressor more then the sketchy stuff Insta360 puts out. 264 DV high quality the level is set to 3. Un iPhone de 128 GB puede almacenar un poco más de una hora en este formato mientras que el modelo de 256 GB alcanza las dos horas de grabación. Apple ProRes 422보다 압축률이 높은 코덱으로 442. 2K and 4K up to 30p from 14-bit readout, rather than 12-bit mode on previous cameras, meaning the. Approximate ProRes equivalents. 0, right clicking a video file in the bin and selecting "Make Proxy" now shows "ProRes Low/Medium/High Resolution" but no longer shows the resolution of each as in earlier versions of Premiere. ProRes 422LT. It took some playing around to find the. You also get built in ND filters, user changeable lens mount and recording to dual CFast or SD cards. I’ve a lot of different combinations and I can’t seem to get FFMPEG to use a fixed bitrate. modes. BUGS FIXED : Slight color shifts in ProRes has been mostly corrected. This tool is intended to give an indication of the amount of space a given video format will take up on disk. Set the Format drop-down menu in the Queue panel to H. ProRes is an apple product after all. The average bitrate is 934Mbps. 2K recording with ProRes, high-efficiency image capture, and dedicated AI processing. ProRes reallocates only the bitrate needed. ProRes is a video file format, or “codec”, developed by Apple in 2007. But should you find that you are low on storage space, then you have the option to use. But, it can go up a bit or down a bit, in that range. 0 means best and it goes up to 32 which is worst. 3GB to 2. Camera app takes ProRes 4k30. Resolution will also impact your frame rate options. The options available for bit rate vary with the settings chosen for high-speed movie recording and compression. Great for environments where storage capacity and data rate are limited. 88 120. mp4 -c:v prores -profile:v 0 output. Create broadcast-quality, high-resolution, high bit rate video files. ) YouTube will also allow codecs like ProRes (Mezzanine/Post codecs) - which are even larger. Q0. Such examples include confetti, snow, bustling trees, and anything with a high number of. Apple ProRes 4444 XQ and Apple ProRes 4444 support image sources up to 12 bits and preserve alpha sample depths up to 16 bits. The Apple ProRes 4444 Codec Family, comprising Apple ProRes 4444 and Apple ProRes 4444 XQ, are proprietary, lossy compressed, high quality video intermediate codecs designed to support high-dynamic-range imagery and motion graphics. Something like a 422HQ will have much higher quality than 422 proxy, but at the cost of being a much larger file size. Can’t find any details like this for Instagram though. ProRes 4444 and 4444 XQ render even better quality with YUV 4:4:4, a color depth of 10 or 12 bits. ProRes is a variable bit - 11112615. Unlike the H. The Z9 will also get a waveform monitor, red display. Both put in PSNRs above 40, and SSIMs above 0. Cineform is an excellent alternative, but a bit slower on Macs. Custom value for the bitrate the encoder tries to average throughout the video, in Mbps. It ranges from the space-saving 422 Proxy to the high-end, all-out 4444 XQ. It's NOT for a lack of quality however. That makes it very light to decode, but requires a lot more data. For more information about Apple ProRes, including the data rates for each codec, refer to the Apple ProRes White Paper. Примечание. The size of the frame depends on the capture mode. S-log 3 ProRes 422 HQ Footage by Neumann Films. Match Source - Adaptive Medium Bitrate. 8x crop), a maximum of 400Mbps, 10-bit 4:2:0 internally and no prores. So, there's no option with ProRes to set or dial in the bit rate like there is with H264. On your iPhone 15 Pro or 15 Pro Max, go into Settings, then scroll down and tap Camera. For best quality, shoot in 4K with a frame rate of 24fps. Bitrate Comparison at 8192 x 4320 / 24p. 97fps comes in at 220 Mbits/second. Formats and Resolutions vervie of ARRI digital motion picture camerasThe benefit is that, unlike ProRes, you can define the bitrate to whatever suits your needs regardless of dimensions. avi -c:v prores -profile:v 3 -c:a pcm_s16le output. 264 into these decks. Graded Log ProRes clip in a sequence with Maximum Bit Depth on. Footage by Neumann. 7K 60fps 10-bit video, a wide range of anamorphic modes, as well as internal Apple ProRes 422 recording. In October 2021 Nikon announced its flagship hybrid mirrorless, the Z9. Then I looked at some footage from a different job and a different Mini. Bitrates of X-OCN vs RAW and ProRes. Video formats: Apple ProRes HQ, 422, LT AVID DNxHR HQX. 08GB. ). h. 17 Gbit/s). The total bitrate is 1,866,118 kbps. ProRes 4444's color depth is 12 bit, unlike 10bit DPX. The Canon Final Cut Pro plug-in v1. 3840 x 2160 (Ultra HD) Apple ProRes 422 HQ - 110 MB/s Apple ProRes 422 - 73. Data rates vary based on codec type, image content, frame size, and frame rate. You can also use Proxy or Low-Bitrate HD formats Cineform, Prores and DNxHD as well. But Pro Res will look better than even a similar bitrate h. . Bitrate Comparison at 8192 x 4320 / 24p. “Constant quality” inverts this by un-capping the bitrate in order to preserve fine details even in complicated shots. 4K (4096 × 2160) at ProRes 422 HQ and ProRes 422 up to 60 fps . All of that new and efficient compression the CTUs bring. Combined with the A7S III’s notable low light performance, users. 1. ProRes HQ QuickTime, ProRes 422 QuickTime, ProRes LT QuickTime, ProRes Proxy QuickTime for all formats up to 2160p30. To record a ProRes video, tap ProRes in the Camera app, then record your video. Bit rate setting should be 320 kbps. Apple ProRes 422 LT's target data rate is approximately 102 Mbps at 1920 x 1080 and. Simply press the Menu/Set button on the back of the camera. But. This tool is intended to give an indication of the amount of space a given video format will take up on disk. 97 fps. And it's a range because of its variable bit rate, so that's the approximate bit-rate on normal images. ProRes 4444 XQ takes this further by using even less compression. ProRes accepts either a fixed bitrate with -b:v, or you can specify the profile, which should be a value between 0 and 3, where the bit rates are chosen according to the profile. Here you can export in ProRes, which minimizes compression. Images are recorded directly to AtomX SSDmini or other. Apple ProRes is one of the most popular video formats in professional video production and post-production. Both codec families are resolution independent, but bitrate will vary depending on if you output a proxy file or a higher resolution file. AAC for Audio Podcasting. *Apple ProRes codec can be only recorded to CFexpress Type B card *Bitrate for Apple ProRes codec is not selectable. 265, LongGOP or All-I, 4:2:0 or 4:2:2, and 8 bit or 10 bit. 1 SUP 4. ago. The file will be large, but significally smaller than HQ but not as small as H. Los iPhone 13 Pro y 13 Pro Max con memoria interna de 128 GB podrán. This preset matches your output video to the core source settings (resolution, frame rate, etc. Vashi Nedomansky, ACE. Higher means better: ffmpeg -i input. It also offers exposure tools like. On the mentioned Fujifilm the highest h265 data rate is 720 Mbit, while ProRes LT is 1200 with up to 2700 Mbit for ProRes HQ. ffmpeg -i in. Quality depends on bitrate, which can vary a lot within each codec, so no generalization is possible. , dass jedes Bild unabhängig von anderen Bildern codiert und decodiertExternal recording is an even bigger improvement. The X-OCN LT has a lower bitrate even when compared to ProRes 422. The ProRES RAW created by S5 HDMI export into Ninja V is a 5. Apple ProRes White Paper (2022)Re: ProRes with Constant bitrate. ProRes 422, and ProRes 422 LT. These codecs, along with Apple_ProRes_422_Codec_Family and Apple ProRes RAW were. 265 formats. 2K. ProRes files are used because they are less hardware-intensive to edit compared to H. Hi, and thanks for this great tool I made some prores in LT, 422, and 422 HQ, and I'm really surprised by the bitrate (1920x1080 50i) : LT : between 123 and 165 Mbits/s 422 : between 230 and 288 Mbits/s 422 HQ : between 336 and 397 Mbits/s But. Here’s a handy list of bitrates: ProRes Proxy will deliver a max bitrate of ~170Mbps at 4K; ProRes LT delivers a bitrate of ~360Mbps at 4KYes, the bitrate of ProRes 422 Proxy is still likely going to be higher than the bitrate of H. Anything higher wont really matter. A two-hour ProRes 422 720p video file will be 55. 5. HEVC/H. More Data Always Means Better Video Quality. dividedby__ • 4 yr. The filezise is now 2,18 gb. For bitrate settings that suits your footage you have to try different settings. 265. ProRes is built for editing speed, whereas H. Dropping the quality to 720p at a film-level 24Hz sees the number of streams jump from three to fourteen on the same system and increases further with the normal 145Mbps ProRes bitrate. Bitrate at 4K50P for 422 is 983Mbps, 422 HQ is 1475Mbps. 1 to 32. 2K is expected to be around 700 Mbit/s, which is 1/3 of Arriraw Open Gate’s 2. ProRes variants are all intra-frame (each frame is self-contained), so motion doesn't make a difference. The data rates vary based on codec type, image content, frame size, and frame rate. Studio for >=4k mj2 – – yes Kakadu. Apple ProRes 422 HQ Bitrate: 3,772 Mbps Apple ProRes 422 Bitrate: 2,514 Mbps Apple ProRes 422 LT Bitrate: 1,750 Mbps Only the Cine version supports ProRes recording. No banding or blocking. 264 and ProRes codecs. Set the bit rate value to a minimum of 2000 times. As you can see in their results the output doesn’t match their expectations; while the exports using t. ProRes RAW HQ 12-bit and ProRes 422 HQ 10-bit data specifications are available from the Apple website. XAVC, AVC Intra and AVC Ultra do support 10 and 12-bit encoding and I. 3:1, the highest setting in constant bitrate, give you a constant bitrate of 323 MB/s – about 20 GB per minute. PROXY SETTING (ONLY WHEN REC ProRes) Choose whether the camera simultaneously records a duplicate “proxy” video with movies shot in ProRes format. Q5. When you're ready to Color Correct, just toggle that off so you can live-preview the highest quality image. The CFexpress card (Type B) supports internal recording of high bitrate video at 800Mbps or more including 5. Battery Type. Una de sus grandes bazas es que es la primera cámara con sensor APS-C que permite grabar en 8K con el códec Apple ProRes en tres variantes: ProRes 422 HQ, ProRes 422 y ProRes 422 LT. Saw couple "lossless" tutorials on the web, but people get absolutely ridiculous files with 1 million bitrate, which is more than ProRes or other barely compressed codecs in some presets, but they use it for compressed h264,. Mejor formato de video para subir a YouTube. , YouTube, OTT, broadcast) then at that. ProRes is a low compression high bitrate codec, and it is easy to edit compared with H265 and H264 codecs, which are highly compressed and have lower bitrates. Don´t use ProRes 422 HQ, use ProRes 422 LT for YT uploads. The 220 megabits per second referenced in the iTunes specs refer to the the maximum bitrate available for use by the Prores HQ codec. That’s happened to me. That’s a pretty significant jump, but the good news is, storage is becoming more affordable every year, and HDD manufacturers continue to. (However,. So, there's no option with ProRes to set or dial in the bit rate like there is with H264. 8). Footage by Neumann Films. I tried changing "-c:v prores_ks" to "-c:v prores", and the bitrate was substantially reduced to just about 1000Mbps. ProRes codecs have been an industry standard for a long time, but the codecs themselves are getting a little long in the tooth. Click OK. If video quality is your number one priority, then by all means, upload ProRes, DNxHD or uncompressed HD video files. In 2018, Apple unveiled ProRes RAW, applying its ProRes compression technology to the raw images captured by your camera. ProRes RAW is a great choice whenever you want to do any extensive grading or image manipulation. The file will be large, but significally smaller than HQ but not as small as H. You can choose between two ProRes RAW compression levels: ProRes RAW and ProRes RAW HQ. Picture Quality. Select "Record Video. " Tap on "Camera" in the top-left corner to go to the previous menu. Apple ProRes 422, with roughly 70 percent of the data rate and. The target data rate of Apple ProRes 422 LT is approximately 102 Mbps at 1920 x 1080 and 29. However, there are six versions of ProRes, each of which vary in bit rate (and file size). 265. Target Bitrate: 14. I’ve used this version of the codec in the past for multi-cam editing on a late 2007. mov' -c:v prores_ks -profile:v 4 -quant_mat 'hq' . Had the same problem, MP4 is worthless for recording unfortunately. 264. (More technical stuff applies. 264/H. Apple ProRes 422 is a high-quality compressed codec offering nearly all the benefits of Apple ProRes 422 HQ, but at 66 percent of the data rate for even better multistream, real-time editing performance. Saturday September 10, 2022 3:31 pm PDT by Joe Rossignol. Tap and choose your preferred resolution and FPS from the options at the top of your screen. According YouTube below X-H2s only one camera provide built-in internal Apple ProRes 422 LT video recording feature. Huge files and not the best format out there, but I can always downgrade it with a video edit software later. In real life and depending on the visual complexity of your video your actual datarate will vary and generally not hit the maximum of 220Mb/s. Not bad at all. The key here is that ProRes RAW has a quality target, instead of a data target. Now, my question is, is this ProRes 422 LT option 10 bit or 8 bit? I need 10 bit for HDR delivery. Si su computadora y software de edición lo admiten, ProRes 422 es el formato de archivo de mayor calidad para cargar en YouTube. 264 or H. ProRes is nice for fast editing, but gets crazy large compared to AVC/HEVC. It's entirely possible that I didn't pay enough attention to export settings, but given the fact that we tend to keep copies of videos as ProRes exports anyway, it felt kind of pointless to create more files than we needed anyway, so I not looking into this further for.